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Thursday 28 August 2014

Blair Dunlop does determinism at Towersey

Sometimes Blair Dunlop, whose maturity shines through his music, betrays his extreme youth through his references. "Is anyone here doing philosophy A' level?" he asked the Big Club tent on day two of Towersey.


Someone in the audience made like a windmill, indicating that they definitely were.

"Hey! I did that course and I remember when we did determinism. I opened up the book and I couldn't believe my eyes: I'd believed in that philosophy since when I was a little kid and it used to make me feel really down. I was a strange child."

Determinism, if you recall, is the belief that everything that happens is the only possible thing that could happen, given all the circumstances that led to it. It leaves no space for free will and so, in a society that places a high value on freedom of expression, could very easily be depressing.

"I stuck my hand up in class and said 'Miss, miss. I invented that'," Dunlop recalled.

Provocative. I mean, it makes perfect sense that an intelligent child should feel this way: a "good" childhood in modern Britain is basically the condition of being subject to the will of a bunch of responsible adults and the knowledge that you have less freedom than them and that many of your basic decisions - what school you go to, for one - have been made for you can weigh very heavily. I remember.

It also made me wonder how Blair Dunlop - who by the time he took his A' levels had been in a film with Johnny Depp - could feel trapped in this way, and curious about how he thought, at the time, that his life was predetermined to turn out?

So I asked him.


"What it was, basically, was that I felt that my entire existence was being determined by a girl called Alice Whitehead," he explained.

Ah. That makes sense.

"I'm over that now."

* Blair Dunlop has a new album out on Rooksmere Records, called House of Jacks. It's really good.

* If you would like to read more about Blair Dunlop on this blog, you could try this, which is about his first album Blight & Blossom.

* If you would like to read more from Towersey 2014 there is this, about Lau, and this, which is about Dunlop's dad, Ashley Hutchings and the forthcoming documentary about folk legend Shirley Collins, who is his former wife. And there is this interview with Nancy Kerr, on the occasion of launching her debut solo album, kind of.

* If you'd like to receive posts from this blog directly into your Facebook newsfeed, you could *like* its Facebook page and then use the drop-down menu to indicate that it's one of your "interests". This will enhance the possibility that you'll get them. You could also follow me on Twitter at @emma1hartley

Sunday 24 August 2014

Hands up for Lau's seal boy at Towersey

Lau played a transcendent set in the Big Club at Towersey last night and also took the opportunity to raise the flag for local journalism, in particular Aidan O'Rourke's local rag in the west highlands.


"I'm from an island called Seil," he said, pronouncing it "seal".

Martin Green stepped in. "When Aidan won best musician in the folk awards earlier this year The Oban Times ran a story about it. And the article had a headline - I'm not joking - the article had a headline that read 'Hands up for Seil boy'."


Much laughter from a packed audience whose collective imagination had clearly turned to flippers.

"And I've been in show business long enough to know that there's more money in a seal boy than there is in a fiddler," Green deadpanned.



* You may also be interested in this from Towersey on Saturday, which is an interview with Ashley Hutchings about the film being made about Shirley Collins, his ex-wife. This, in which Blair Dunlop wrestles with the existential condition of being himself. And this interview with the delightful Nancy Kerr, in which I veer extremely close to calling her a genius.

* If you'd like to receive posts from this blog directly into your Facebook newsfeed, you could *like* its Facebook page and then use the drop-down menu to indicate that it's one of your "interests". This will enhance the possibility that you'll get them. You could also follow me on Twitter at @emma1hartley

Saturday 23 August 2014

Ashley Hutchings at Towersey festival on the Shirley Collins film

In June there was a successful Kickstarter campaign to fund a movie about the fascinating early life of folk singer and song collector Shirley Collins, to be made by Tim Plester and Rob Curry. The pair also made the elegaic Way of the Morris, and have their fingers in several other pies including, brilliantly, Game of Thrones.


Part of the blurb for the Kickstarter campaign read: "We will explore [Shirley's] relationships with men, tracing the connections from her first great heartbreak, when her father was pushed out of the family after the war, through her controversial affair with Lomax, to her two - ultimately doomed - marriages."

Who should I run into at Towersey festival but Ashley Hutchings, formerly of Fairport Convention and Steeleye Span, now of The Rainbow Chasers. He was also Collins' second husband. Turns out he's working on a project with his son, Blair Dunlop, to write an album of "proper" songs about football, which is, ahem, likely to have a strong emphasis on Tottenham Hotspur. Inevitably the conversation turned to the Shirley Collins movie.


"I heard about it on the Mark Radcliffe show," he said. "And when I looked at the Kickstarter campaign it was already up to £23,000 or so - they were going for £25,000, weren't they? I thought about whether I had a spare two grand but, well, I didn't. But the next time I looked they'd hit their target anyway, so that was good. Obviously I wish her the best and hope the movie works out well...

"But we're not in touch. It was a very acrimonious breakup: she was right, I was wrong."

Do you remember what the issues were?

Hutchings nodded.

"Women."

For a second I thought he was blaming women as a species for the failure of his marriage, but then realised that he was saying he had been unfaithful to Collins. There were a couple of beats of silence.

"I've been wondering whether I should expect a phone call from the filmmakers?" he said. "John Marshall, Shirley's first husband, died earlier this year, so I'm the only left now."

I said I thought it was quite likely they'd be in touch, given that they had already said on the Kickstarter page they were interested in exploring Collins's relationships. Plus there's the right of reply thing and they'd probably be interested in getting the whole picture before they decide what to leave on the cutting room floor and what to keep. But that's just my best guess...

"Well, I was thinking that I don't particularly want to do the interview because the situation with Shirley was so acrimonious by the end. But then I was talking to a friend about it and they pointed out that I didn't have to talk about everything if I didn't want to. I could talk about the good years and and focus on the positive things that I remember. I mean we were together for seven or eight years and she did some good work during that time.

"So I suppose I'm waiting for the phone call."

* You may also be interested in this from Towersey, about Lau. And this, about Blair Dunlop and his early dalliance with determinism.

* If you'd like to receive posts from this blog directly into your Facebook newsfeed, you could *like* its Facebook page and then use the drop-down menu to indicate that it's one of your "interests". This will enhance the possibility that you'll get them. You could also follow me on Twitter at @emma1hartley

Wednesday 13 August 2014

Unsigned Welsh rockers Fireroad get taken to the Bahamas by Lynyrd Skynyrd

Yes, yes, yes. They're not folk: I know. But you may like this because it casts a powerful light on the prickly question of how hard bands have to work these days in order to get lucky, if you know what I mean. I thought I'd heard it all when I interviewed Keston Cobblers Club, but these guys take the proverbial welsh cake.


Fireroad (inset), an unsigned band from the Cynon valley, have been invited to support US southern rockers Lynyrd Skynyrd (main picture) on a cruise around the Bahamas this November. I know: sounds awful, doesn't it? You may know Lynyrd Skynyrd from Sweet Home Alabama...


Or maybe Free Bird...


The Jacksonville band has been through lots of incarnations since the original line-up was involved in a plane crash in 1977, killing three members  – a third of the band – and seriously injuring the rest. But the Lynyrd Skynyrd juggernaut rolls on. Fireroad, on the other hand, are a relatively new thing.

"We've been going for about two years," Richard Jones, their singer, told me. "And we do everything ourselves. I do graphic design and promotional work. It's pretty much me sitting at home 15 to 18 hours a day contacting people on the internet and by phone."

So how did you land the Lynyrd Skynyrd gig? It says a piece in Wales Online that you went on a "charm offensive". How charming do you have to be exactly to get invited to the Bahamas by a legendary rock band?

"I actually went on the cruise to Miami last year with our manager – who had taken another band there in 2012 – to see how things were. It's relatively cheap if you're American, I think: a cabin for the four days is about $750. But if you're from elsewhere obviously there are flights to the US to consider as well. He managed to get us on the short list of eight support acts for this year but said there was only any point us being on there if we built up a fan base in the US.

"So it turned out that it was the passengers on the cruise who would have the final say about who the support were and when I started looking around on the net there was a Facebook group for the cruise with around 2,000 people in it.

"I joined the group and spent about four months contacting these people individually. I'd send them an introduction explaining that we're from Wales but that we grew up with American music and would they be willing to have a listen to our stuff? And then there would be video and Soundcloud links. We're just four boys from the valleys: it seemed like the thing to do.

"Then when the voting happened it turned out it had worked."

Woo-hoo!

"It's my idea of heaven on a boat," he added, sounding properly excited. "The music starts at about midday every day and goes on until the small hours."

So here's the hardworking Fireroad, who a completely brilliant live, according to my cousin Helen, whose seen them several times and knows a thing or two about rock.


The company that puts on these cruises – which are worth knowing about in their own right – is called Sixthman and other artists on their roster include Richard Thompson, Steve Earl, The Civil Wars, Emmylou Harris, John Mayer, Loudon Wainwright III and The Indigo Girls, who I absolutely love... all of whom need support bands.

Better than a fist full of dramamine any day.

* If you like reading about hard-working bands you may also enjoy this about Keston Cobblers Club.

* If you'd like to receive posts from this blog directly into your Facebook newsfeed, you could *like* its Facebook page and then use the drop-down menu to indicate that it's one of your "interests". This will enhance the possibility that you'll get them. You could also follow me on Twitter at @emma1hartley

Sunday 10 August 2014

Boomtown: the Ryanair of festivals

Remember those stories a while back about how Ryanair would be charging for using the toilets? How's this for a sign of the times? Spotted at Boomtown festival, near Winchester, this weekend and subsequently appearing in a Facebook feed near you.


I rang, curious about how this particularly delicate distinction – the £1 or £2 service – is policed? Surely where commerce is concerned the festival needs to make sure it is not being taken advantage of?

"I only heard about this today, but I understand that it is operated on a trust system," said Anna Wade, a festival spokesperson. She went on to explain that there are also free toilets on site but the distinction is that those in the tastefully named "Poonarnia" are cleaned regularly.

Lovely.

And since we're all here: way to go with the name, Poonarnia. Managing to be tasteless, sexist and childish in four syllables is no mean feat. I'd probably find it amusing if it weren't for the usuary thing.

* If you enjoyed this post you may also enjoy reading this one about the BBC's efforts to keep the names of the folk awards judges a secret. Or maybe, in a more carefree vein, you'd like a gallery of folk musicians lying in foliage?

* If you'd like to receive posts from this blog directly into your Facebook newsfeed, you could *like* its Facebook page and then use the drop-down menu to indicate that it's one of your "interests". This will enhance the possibility that you'll get them. You could also follow me on Twitter at @emma1hartley

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